Thelma Mariano began writing fiction in the confessions field, where she sold over 40 stories to women’s magazines (such as True Story, True Confessions and True Experience) put out by NYC publishers in the days of mass readership.
She also freelance edited at the corporate level of a major multinational and published dozens of articles in the self-development field, primarily on the Web. For ten years, she worked as a life coach and motivational speaker to help people overcome limiting beliefs and go after their dreams.
Fiction, though, is what makes her heart sing, both as editor and author.
She recently launched a website to offer her services as a Freelance Editor for writers of women’s contemporary fiction. She enjoys working with other writers to help them strengthen and improve their characterization, fix plot holes, and increase story tension. She values what wants to be expressed, whether working with another author or writing her own novels.
HOW I GOT PUBLISHED
For Night Cries, I was offered representation by First Books, Inc., a Chicago-based literary agency, in 1994. They said they could sell it as “women’s mainstream” in the mass market but asked me to cut out two of my subplots and reduce the point-of-view characters from 4 to 2. At the time, I balked at the changes and put the book on the back burner. Twenty-three years later, I looked at the novel with fresh eyes and saw they were right! By then, the publishing world had gone through a sea change and self-publishing was a viable option. So I made the necessary revisions and put my novel in the marketplace.
For my second novel, ConneXions, I was represented by reputable literary agents in London as well as NYC. They told me that publishers wanted a focus on “the hunt for the serial killer” but I preferred to tell the story from the viewpoint of the potential victims he targeted.
My third novel, SeaStruck, is a paranormal romance (mermaid story) that first came to me in a dream.
For many years, I sold my copyright to publishing companies who bought my stories and published them without a byline, because that was “the deal” in the confessions market. With self-publishing, I feel I am taking my power back by maintaining control over my own material. I decide on the covers and the content and keep my work on the market as long as I wish.