In this post I share with you three other elements that are included in the proposal of a screenplay.
In Save The Cat (see my previous post) Blake Snyder mentions ten types of genres. He cautions about staying away from “standard genre types such as Romantic Comedy, Epic or Biography- because those names don’t really tell me anything about what the story is.”
As a standard genre my story is romantic drama, but in following Snyder’s advice my genre falls under the Rites of Passage type. “These are tales of pain and torment , but usually from an outside force; Life.” Movies that Snyder classifies under this type include stories about puberty, mid-life crisis, old age, romantic break-up, and grieving stories.
Although my series takes place in part in India, Italy and Boston I have omitted these scenes from the screenplay. I do mention the character going to India but I only speak of her impressions upon her return. Similarly, I do not have the character go to Boston or Italy. The reason for doing this is that film producers are money minded. Having the crew travel to film a scene ups the costs which might make a producer reject the screenplay.
So my settings are: A women’s center in a middle-class area of a city. Bars and pubs, restaurants. The characters’ apartments. Conference hall. Art Gallery. Inside taxi cab. Backyard garden. Museum. Gym. Office. Golf Course. Library. Construction site of a donut shop. Inside a car.
These are easily filmed on set or at least in the city where the film is being made.
This is the synopsis of the story. One thing I was told to keep in mind, is that the agents/producers/directors are busy people and don’t have time to read through pages of what your film or series is about. What they will be more interested in is the script itself which I will talk about in another post.
The concept is the heart of the proposal and includes:
An introduction to the idea of your story along with main emotions and theme. Here you can include one sentence story examples.
A paragraph which outlines the story in each episode – its beginning and ending.
Visual Elements that are in the story. Is it entertainment, an interview, narration, animation. Is there a host?
Finally, clarity and brevity is key.
Please note that I will not be as active on Social Media for the next while as my family is preparing a funeral for my brother-in-law and in the weeks that follow I will be involved in helping care of my sister, who is eighty, and will need support as she begins her grieving process.
My intention here is certainly not to write a review of the book. The guy’s got almost 5,000 ratings, 80% of them 5 stars.
But before I tell you why I am writing about Save the Cat, let me let the cat out of the bag, so to speak, and explain the title in Blake’s words:
Save the Cat is the screenwriting rule that says… it’s the scene where we meet the hero and the hero does something -like saving a cat – that defines who he is and make us, the audience, like him.
Further in the book, Blake explains his test marketing method:
I pitch to anyone who will stand still. I do it in line at Starbucks. I do it with friends and strangers. I always spill my guts when it comes to discussing what I’m working on, because:
I have no fear that anyone will steal my idea (and anyone who has that fear is an amateur and…
You find out more about your script by talking to people.
I talk to “civilians’”
Which brings me to THANK ALL OF YOU who provided me with comments, suggestions and encouragements regarding my logline (see previous post).
One comment was that the absent father may not be the best term to use. For an indebt comment on my logline you may want to read the comments posted by PRIOR.
Perhaps abandoned fathers might be a better term.
If you’re interested in writing a screenplay you might consider having a look at this book.
One last word. I am aware that taking on this project and especially talking about it places me in a vulnerable position. What if I fail (and the chances, considering my zero contacts with the business) are quite high.
I will continue to work on my logline and will also write about the other aspects of screenwriting which are the concept, the characters, genre, the setting, and the all intimidating screenwriting software which I am in the process of learning.
If anything, all this gives me material to post on my blog. 😉
A few weeks ago I completed a twelve hour course on Creating A TV Series Proposal given by Jennifer McAuley sponsored by The Quebec Writers’ Federation.
One of the features of writing a proposal for TV is to have a GREAT logline. It’s one to three sentences that grabs the agent, producer, director, audience attention to your story. It is precise and gets to the point of your story.
Here’s my logline for my TV script (which might change as I go along writing the script) but for now here it is:
According to Keri Novak’s PhD study group, women who have had absent fathers grow up assuming that they are doomed to unsuccessful relationships with men. That is, until Keri meets her own Prince Charming putting her research and the award she is about to receive in jeopardy.
Finally, I have my e-books into paperback and it was a frustrating journey. First, the technical designer I hired didn’t work out after three months of back and forth with her. Then, the second technical consultant wasn’t able to put two of my e-books into paperback either because the one of the original e-book cover no longer existed or the owner of the other e-book was asking an exorbitant amount of money to use it. Then, there was the problem of Kindle’s size requirements, which luckily my technical consultant was able to deal with.
In the end, I ended up having to choose different covers for two of my paperbacks. So, three months later, here are my paperback novels.
About the Getting to Mr. Right Series
The series starts off by focusing on Campbell Jones –an award-winning relationship-therapist at the peak of her career. Friendship and support shared between the characters of Campbell’s focus group evolves as the novel progresses.
The underlying theme throughout the original Getting to Mr. Right and the four novellas which follow is “being true to oneself.” The novellas are all expansions of the main story – dating adventures for Missi, a café for Suzy, dealing with an uprooted life for Felicity and an unexpected pregnancy on the edge of mid-life for Campbell. The series has gone beyond the original premise of “Getting a man” and in true women’s fiction style, deals with the issues that come after “happily ever after.” Although all these women are now in romantic relationships, it’s more the by-product of living their lives fully than a pursuit for finding a partner.
Campbell’s research into the father/daughter dynamic and how it affects a woman’s personal choices proves that Prince Charming is nothing but a myth. In a few months, she will receive international recognition for her work.As part of her study, Campbell gives workshops to help women still seeking Mr. Right. Her latest group is made up of three women: Missi Morgan, who can’t seem to let go of a philandering spouse; Suzy Paradise, a self-proclaimed queen of online dating; and Felicity Starr, whose life and career are dictated by a controlling father.In the midst of her study, a charming and personable man enters Campbell’s life, putting her theories in shambles. Not only does she now question the validity of her research, but she must choose between her career and having her own Prince Charming. This personal dilemma makes it difficult for Campbell to give these women advice, as she encourages them to find their own paths to happiness and helps them set themselves free.
Missi Morgan is your everyday middle-aged woman who is suddenly thrust into an online dating world after years of married bliss. After learning to let go of Max, her husband who dumped her, Missi explores the world of online dating. Through one disastrous date after another, Missi learns lessons that help her discover what she truly wants. She may not find the perfect match but she finds the perfect self.
A romantic comedy for anybody having to tackle online dating and letting go.
Book 3: Not By Design
Ever since she first appeared in Getting To Mr. Right, Felicity Starr has been struggling to find her own kind of contentment. Now, at thirty-five and living in Rome, Felicity is about to break into the world of fashion design, and caught in a flurry of plans for her wedding when calamity strikes. Her father’s sudden death brings into question the whole meaning of success. Then Marco, the man she’s about to marry, leaves her when he learns of her Multiple Sclerosis diagnosis. Forced to return to Montreal, Felicity finds her life thrust into unexpected turns. As she confronts the on-going challenges presented by her disease, she gains the strength to let go of old beliefs and face her inner truths. Love, friendship and rewarding work come in different forms and Felicity finds it all in ways she never imagined – in a life that’s not by design.
Most of Suzy Paradise’s dreams died along with her son over twenty years ago. One thing has re-ignited her passion for living – running her own café, which specializes in home-baked donuts. For Suzy, this is a long-cherished dream come true. Her business is starting to flounder when Donuts-A-Million, a giant chain, opens across the street from her. Her unexpected attraction to Coen Walsh, a regular customer at her café, creates more tension when she learns of his affiliation with her competitor. Café Paradise is about Suzy’s fight to save her business in spite of the odds. Sometimes, she realizes, dreams have an expiration date and it takes just as much courage to let them go. Along the way, she must re-define the meaning of work, family and romance so she can find her own formula for happiness.
In Getting to Mr. Right, Campbell debunked the Prince Charming myth, only to meet a special man who turned all her assumptions upside down. Now she’s married to Chand. But Happily-Ever-After turns out to be another illusion. Campbell deals with job burnout and struggles to find her place in the world. An unexpected pregnancy and its complications undermine her relationship with Chand and take her to a difficult crossroad. No matter which way she decides to go, nothing will ever be the same!
A psychological crime novel about obsession. Eugene’s research into his criminal mind is not about the why, but how to prevent his horrific crimes. Angie, a young woman starving for passion sees Eugene as her savior from a lonely life of caring for her heroin addicted mother. How far is she willing to go in order to save her relationship with Eugene and his promise for a future together? Detective Van Ray is on a vindictive mission as he attempts to solve the murders of young girls in Youth Protection. Their lives collide in a mixture of mistrust, obsession and ignoring the warning signs. A psychological crime novel about human frailty and loneliness.
Mourning Has Broken offers a moving and poignant look at grief and loss. In this collection of narrative non-fiction essays, the author speaks from the heart not only about the death of a dear sister but also about the mourning of a mother, a father, a dear friend, a career and a religion. Readers who have known loss will find much to relate to in this book, and will particularly appreciate the author’s ability to be frank and open and at times humorous about feelings that might be difficult to acknowledge.
I recently returned from a trip to Italy where I spent time in Rome. One of the areas I visited while there was Trastevere where part of my novel, Not By Design, was set.
We cross the River Tiber and approach the archeological remains of rooms that were once baths made of black and white mosaics. My guidebook tells me that these were made in the first century AD. It’s hard for me to grasp that over two thousand years ago there was an entire civilization living on the ground I am standing on.
We are walking along the delightful district of Trastevere. In Trastevere one will get glimpses of the “real” Rome. Marco and I have been here many times. To eat in their famous restaurant area, go to the theatre, the cinema or just mingle with the Romans in clubs and bars. Today our mission is different. We are visiting the church Bridget reserved for our wedding. Marco and I are holding hands as we pass by boutiques offering handcrafted wares and clothing stores with magnificent styles.
As we approach Piazza Santa Maria with its spectacular fountain I stop to take in the church in front of us. It is a stunning Medieval church. Its façade glows with its series of faded mosaics honoring the Virgin Mary. I can’t think of a more romantic setting for our wedding. Even before entering the church I know that it is perfect. Except for one thing. “I can’t believe that my father won’t be here to walk me down the aisle,” I say.
It’s interesting how the meaning of frippery has evolved from cast-off clothes to an elegant garment.
Definition of FRIPPERY (Merriam-Webster) plural fripperies
1 obsolete a : cast-off clothes b archaic : a place where old clothes are sold 2 a : FINERY; also : an elegant or showy garment b : something showy, frivolous, or nonessential c : OSTENTATION; especially : something foolish or affectedly elegant
“To take my mind off Chand’s awful words, I google maternity clothing. I’ve never been a fashionista; one of the advantages of wearing a sari was not having to develop my own style. Still, I feel a twinge of guilt in abandoning it. I take a sip of coffee as I scroll down the screen and come upon a frippery that sells maternity clothes. It’s close to where Suzy lives and I feel like company.” p. 9 in The Longest Nine months
I first shied away from reading this book because I thought it was going to be all about having babies, not my favourite topic. Luckily for me, I did pick up the book, read it, and enjoyed it. It was not all about babies and pregnancies, although this was a significant factor in the novel. It was more about the relationship between Chand and Campbell.
Chand is of East Indian heritage and Campbell is Caucasian. They are devoted to each other; so much so, that Campbell wears the traditional sari to please her husband, even when other modern East Indian women at their office party are wearing western dress.
No children are planned in their as yet young marriage, so when Campbell finds herself pregnant, major changes loom. Chand is not as thrilled as Campbell had hoped he would be, and the final straw, a possibly flawed baby, threatens…
Writing The Longest Nine Months took a LOT of motivation, patience and brawling with discouragement tossed in with some existential questioning regarding my story.
I knew that I wanted to explore the theme of abortion but that was it.
Then the notion of conflict between Campbell, my main character, and her husband Chand began to flutter in my mind. And so the couple conflict took shape but it still wasn’t all that I wanted to write about.
romance was my vehicle to get to where I wanted to go even though I hadn’t a clue where that was.
Slowly, as I continued to write, the abortion subject turned into one of disabilities and Down syndrome.
This is simply to let you know that some updates have been made on The Longest Nine Months and, if it hasn’t already been updated for you, you can download the update through your “Manage Your Content and Devices” page.
To receive updates to your eBooks automatically:
Turn on the Annotations Backup* for your Kindle device or Kindle reading app. This will sync your notes, highlights, eBookmarks, and furthest page read
Go to the Manage Your Content and Devices page
Select “Automatic Book Update” under the Settings tab
If you’re downloading to an IPad You cannot purchase content through the Kindle app due to Apple Store restrictions; you’ll need to use Amazon’s website instead and scroll down to Part 3: Purchasing New Kindle Content on Your iPad.keep reading.
This promotion is good from October 6, 2017 to October 10, 2017. Don’t miss this free book offer!