Femme Fatal:Gloria Denton

 

Femme fatale Gloria Denton is smart, tough, crooked, ruthless, glamorous and unlike traditional Femme Fatales (Vera Caspary’s Bedelia and Dorothy B. Hughes’ Laurel Gray) Denton is approaching middle-age.

In the casinos, she could pass for thirty. The low lighting, her glossy auburn hair, legs swinging, tapping the bottom rim of the tall bettor stools. At the track, though, she looked her age. Even swatted in oversized sunglasses, a wide brimmed hat, bright gloves, she couldn’t outflank the merciless sunshine, the glare off the grandstand. Not that it mattered. She was legend. 

The unnamed first person narrator of Queenpin is a book-keeper, some twenty years younger than Denton and whom Denton takes on as her protégé. In the seedy world of gangsters and racketeers  Denton teaches her young apprentice how to prosper :

I gave him my best walk, half class, half pay broad. If you can twist those two tightly, fellas don’t know what hit ‘em. They can’t peg you. It gets them — the smart — ones — going. Spinning hard trying to fix you. You’re like the best parts of their grammar school sweetheart and their first whore all in one sizzling package.

Although Queenpin was published in 2007, the author, Megan Abbott, sets her novel in the 40’s but with a feminist twist.

Traditionally, a femme fatale is completely male-defined: the fatale becomes what they desire because it grants her power over them. Gloria does no such thing. She embodies power, respect, and the promise of violence. She does not mince her words or flaunt her body, and she ALWAYS does her own wet-work… “If you can control yourself, you can control everyone else”.  SOURCE

Noir Crime Fiction Megan Abbott

Megan Abbott has won awards the length of my arm starting with the Edgar Award for best paperback original novel for Queenpin from the Mystery Writers of America. She’s picked up such prizes as The Barry Award, Booksense Notable Pick and was nominated for the Hammett Prize, The Shirley Jackson Prize, The Los Angeles Times Book Prize and The Folio Prize. Her novel The Fever (2014) was listed by Amazon as one of the best books of the year while The New York Times, People and Entertainment Weekly named it one of the best books of the summer. The list of accolades for Meagan Abbott goes on and on.

Here’s more on Queenpin and Megan Abbott:

http://www.meganabbott.com/

http://noirwhale.com/2012/02/25/noir-crime-fiction-queenpin-by-megan-abbott/

https://bloodymurder.wordpress.com/2012/03/31/queenpin-by-megan-abbott/

http://detectivesbeyondborders.blogspot.ca/2008/05/noir-sex-and-betrayal-interview-with_12.html

 

IAN RANKIN

Ian Rankin is a crime writer.

 I am mostly interested in what the crime tells us about ourselves and the society we live in. So it’s not a game I’m playing with the reader; I’m approaching things as a straight novelistFor me a good crime novel shows the world in a way which makes me think about it as I’ve not thought about it before.  in Mail Online.

 

 Rankin has created two series. The inspector Malcolm Fox series of which there are two novels: The Complaints and The Impossible Dead.

 

Of The Detective inspector Rubus series there are too many books to mention. To date almost twenty books. He’s also written a non-fiction on Rubus’s Scotland, short stories, other novels and three mystery books under the pen name Jack Harvey.

 

 Rankin has been elected a Hawthornden Fellow, and is also a past winner of the Chandler-Fulbright Award. He is the recipient of four Crime Writers’ Association Dagger Awards including the prestigious Diamond Dagger in 2005. In 2004, Ian won America’s celebrated Edgar Award for‘Resurrection Men’. He has also been shortlisted for the Edgar and Anthony Awards in the USA, and won Denmark’s Palle Rosenkrantz Prize, the French Grand Prix du Roman Noir and the Deutscher Krimipreis.

 

Not bad for a guy who never really set out to be a crime writer.

 

 I have an office of sorts in my house. There will be music on the hi-fi, and I’ll sit on the sofa (if mulling), or at one desk (if writing longhand notes) or the other (if typing on to my laptop). My writing computer isn’t exactly state of the art – it can’t even access the internet – but I’ve written my last seven or eight novels on it, and it seems to work fine.

Writers' rooms: Ian Rankin

Photographer: Eamonn McCabe

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