Bau: A Favorite Poem

OLYMPUS DIGITAL CAMERA

This is one of my favorite dog poemsIt was written by Nobel Laureate Wislawa Szymborska.

 

 

Monologue of a Dog Ensnared in History

There are dogs and dogs. I was among the chosen.
I had good papers and wolf’s blood in my veins.
I lived upon the heights inhaling the odors of views:
meadows in sunlight, spruces after rain,
and clumps of earth beneath the snow.

I had a decent home and people on call,
I was fed, washed, groomed,
and taken for lovely strolls.
Respectfully, though, and comme il faut.
They all knew full well whose dog I was.

Any lousy mutt can have a master.
Take care, though — beware comparisons.
My master was a breed apart.
He had a splendid herd that trailed his every step
and fixed its eyes on him in fearful awe.

For me they always had smiles,
with envy poorly hidden.
Since only I had the right
to greet him with nimble leaps,
only I could say good-bye by worrying his trousers with my teeth.
Only I was permitted
to receive scratching and stroking
with my head laid in his lap.
Only I could feign sleep
while he bent over me to whisper something.

He raged at others often, loudly.
He snarled, barked,
raced from wall to wall.
I suspect he liked only me and nobody else, ever.

I also had responsibilities: waiting, trusting.
Since he would turn up briefly, and then vanish.
What kept him down there in the lowlands, I don’t know.
I guessed, though, it must be pressing business,
at least as pressing
as my battle with the cats
and everything that moves for no good reason.

There’s fate and fate. Mine changed abruptly.
One spring came
and he wasn’t there.
All hell broke loose at home.
Suitcases, chests, trunks crammed into cars.
The wheels squealed tearing downhill
and fell silent round the bend.

On the terrace scraps and tatters flamed,
yellow shirts, armbands with black emblems
and lots and lots of battered cartons
with little banners tumbling out.

I tossed and turned in this whirlwind,
more amazed than peeved.
I felt unfriendly glances on my fur.
As if I were a dog without a master,
some pushy stray
chased downstairs with a broom.

Someone tore my silver-trimmed collar off,
someone kicked my bowl, empty for days.
Then someone else, driving away,
leaned out from the car
and shot me twice.

He couldn’t even shoot straight,
since I died for a long time, in pain,
to the buzz of impertinent flies.
I, the dog of my master

 

Monologue of a Dog

 

Nobel Prize Laureate: Nelly Sachs

In the unimaginable aftershock of the Second World War the German philosopher Theodor W. Adorno made the famous statement, ‘To write poetry after Auschwitz is impossible.’  It was Nelly Sachs, more than anyone else, who showed that it was not only possible, it was necessary.

Child

Child

With the burial of your head

seed capsule of dreams

grown heavy

with endless resignation

ready now to sow in another country.

With eyes

turned round to mother earth –

– Child

 

The Berlin-born Jewish poet (1891-1970) was arrested and interrogated by the Gestapo in 1938,  and in 1940, after being summoned to report to a “work camp,” she narrowly escaped to the neutral country of Sweden with her mother. Throughout the war they lived in poverty, occupying a one-room apartment in Stockholm. Sachs penned poetry that bears witness to the Holocaust and the tragedy of the Jewish people with words that were also universal, symbolic of the suffering and redemption of all humanity.

Nelly Sachs 1966.jpg

On the day of her seventy-fifth birthday, Nelly Sachs was awarded the 1966 Nobel Prize in Literature. She gave the money away, half of it to the needy, half to the friend who had arranged to get her out of Germany in 1940.

 At her Nobel reception, Ingvar Andersson of the Swedish Academy made the following comments to her:

Continue reading