Comparables: Where Does Your Book Fit In?

Not too long ago dgkayewriter  posted on her noteworthy blog a link to the app (I Write Like) which, when you paste a paragraph of your writing, the app compares you to famous writers by analyzing your word choice and writing style.

That amusing exercise got me thinking of comparables. Whether you are writing non-fiction or fiction, self-publishing or going the tradition route, comparables (comps) help the reader and book seller know where your book fits in. Knowing your comps will help you know where your niche is in the marketplace.

Where would your book be placed in a book store or library and within that category whose books would you compare yours to?

Michael Dellert, an award winning writer, editor, publishing consultant, and writing coach with a publishing career spanning 18 years posted an interesting article on comparables.

What makes YOUR book stand out?

Publishers and agents generally want to see “comparables”: other fiction books on the market today that have an audience comparable to yours, that have themes, settings, and characters comparable to yours, that have a market niche comparable to yours, and then they want to know what sets your book apart from those.

Editor Rachelle Gardner in a post titled Know Your Competition adresses the question of comps:

Search for possible competitive or comparable books using a variety of means; don’t limit yourself to one particular search term or one method. Go deeper than the titles to make sure you’re not missing anything. Search on various websites besides Amazon. If you’re writing a Christian book, use Christianbook.com.

And in another article on comps Rachel Gardener offers this advice:

Ask yourself, “Who are my readers? What are they reading right now?” Those are your comparable books.

Keep this line in mind:
“People who enjoy the following books are likely to enjoy my book.”

You can use that line in a proposal, then follow it with the comparable books, and for each one, a brief explanation of why your book would appeal to those same readers. This approach frees you from trying to decipher what an agent is looking for, and instead, use those comps to identify your audience.

It’s tricky finding comparables. For example, in my crime novel Warning Signs the protagonist finds herself in a relationship with a serial killer. The detective investigating the serial killer’s crimes has a romance going with a suspect. Taking those two important elements of the novel do I compare my novel with those which have serial killers in them or do I compare it to stories about romance? Warning Signs also deals with mental illness so should I compare the novel with other novels dealing with mental illness? Or do I compare it to a noir novel?

Here are some comps I found for Warning Signs. People who enjoyed these books are likely to enjoy Warning Signs.

The Perfect Husband by Lisa Gardner (What would you do if the man of your dreams hides the soul of a killer?).

The Last Victim by Karen Robards ( Obsessed with learning what makes human monsters commit terrible crimes).

A Good Marriage by Stephen King (a wife who discovers that her husband is a serial killer). Incidentally, when I took the I Write like Who the result was Stephen King.

The Killer Inside Me by Jim Thomson (a pitch-black glimpse into the mind of the American Serial Killer).

The Lies He Told Me by Sylvie Greyson (a police detective falls in love with his main suspect).

The Fix by Sharon Leder (Living with a Heroin Addicted Parent).

 

Warning Signs is now available in paperback as well as e-book.

Devious Tales

There’s a saying in writing: make every word count or at the very least have every paragraph/scene be relevant. This can be argued, especially for the novel where there is room for sub-plots and leisure strolls through gardens and having tea with a favorite aunt. Not so for the short story. Short stories are (generally) tight, concentrated and condensed.

John Greco’s latest collection of short stories, Devious Tales has all the technical markings of this form and Greco skillfully merges his skill as writer and photographer in these twelve snapshots of life.

His stories are also highly influenced by his passion for noir film and fiction. His short story Late Night Diner reminded me of the rural diner in James Cain’s The Postman Always Rings Twice and I immediately associated his story The Organic Garden to one Stephen King could have written because of its macabre and conniving ending.

John Greco’s stories delve into the dark side of human nature. What makes his stories particularly striking is that his characters (devious, at times creepy and horrendous) are also quite ordinary people who remind us that we too have a lot in common with them.  So frightening!

 

The characters in these short stories, although not always directly involved in crime take advantage of one, others seek revenge or lust, money and, at times murder all with unexpected and disturbing twists.

Many of the stories revolve around the relationship between man and woman as in An Almost Perfect Woman which illustrates Greco’s crisp, engaging style of writing:

To be honest I don’t find many women good companions. I am a quiet kind of guy, and women, well they like to talk. Not just talk but express their feelings. They need to tell you how they feel. Expose every emotion, bare their soul! And all I can think about when this kind of tirade starts, there is no other word to describe it, is when is this night going to end!

In his blog Greco recently posted his suggestions for summer reading. I’d add Devious Tales to the list.

 

Using a Pen Name

Do you write under a pen name? And if so, why?

An article in Writer’s Relief  lists reasons why writers choose to adopt pen names. It could be, as they point out, that another author “owns” your name. For example, it would be difficult for someone named Agatha Christie to write under her real name.

Or, as a high school teacher who writes erotica, you’d want to conceal your identity. I hope.

Or maybe, you write in a genre that has basically a male audience and you are a woman. Joanne Rowling used the initials J.K. (K after her grandmother Katherine) because she feared that boys would not want to read Harry Potter if it was written by (horror!) a girl.  Similarly, Mary Ann Evans used a male name because she wanted to be taken seriously and wrote under the name of George Eliot. Of course, that was in the 1860’s and that doesn’t happen anymore, right?

Should you be interested in using a pen name you might want to consult Ellen Sedwick’s Self-Publishers Legal handbook for the legal aspects on using a pen name .

Here are some well known pen names:

Amanda Cross: Carolyn Gold Heilbrun

Isak Dinesen: Karen Christenze von Blixen-Finecke

Ann Rice: Howard Allen Frances O’Brien

John le Carré: David Cornwell

And pen names that hide more famous real names:

Rosamond Smith: Joyce Carol Oates

Richard Backman: Stephen King

And there are authors who write under several pen names.

 

Kathryne layne               A Hint of Scandle 2

 

 

 

 

 

upon-your-love-final-cover    Heather Crouse

Click to read an excerpt from Marie Lavender’s latest book.

What are your thoughts on a pen name for yourself?