As writers and artists we are often asked where our ideas come from. The answer is complex and usually never just from one place. Take for example, Felicity in my latest Getting to Mr. Right series. What made me choose to have her interested in fashion rather than music, sports or photography – all interests of mine?
The answer lies in part, I think, with my mother and her love of fashion. Whenever she watched television she commented on what the women were wearing, just as after an outing she would give a critical expose on how the women were dressed. In the last years of her life I would visit her and we would watch together What Not To Wear, a show I haven’t watched since her death seven years ago.
One of her favorite movie actresses was Audrey Hepburn, especially the role she played as Holly Golightly in Breakfast at Tiffany’s. I suspect what my mother loved about the movie was not the gangster/call girl plot of the film. Nor Holly’s capacity, in her femme fatale manner, to seduce the men in her life in order to get what she wants. Nor was it the script’s chick-lit style of presenting Holly as an independent woman, unafraid of thwarting feminine customs. What made my mother love Breakfast at Tiffany’s was most likely Ms. Hepburn’s wardrobe.
My mother’s own style was more of the sensible cardigan and slacks (who uses that word these days?) as she puttered around the house. But on those rare occasions when she dressed up she was meticulous about what she wore adding a string of pearls around a plain dress which, in the imagination of my memory, she might as well have been wearing the sheath black dress or double breasted orange wool coat which Ms. Hepburn wore in the movie.
In Truman Capote’s novella, Holly Golightly (don’t you just love this name?) “… was always well groomed, there was a consequential good taste in the plainness of her clothes, the blues and grays and lack of luster that made her, herself, shine so. One might have thought her a photographer’s model, perhaps a young actress.”
Along with my mother’s influence and my love for the novella Breakfast at Tiffany’s I was likely subliminally drawn to creating a character who is involved in the world of fashion.
In this scene Felicity, is with Eduardo, a gallery owner:
This is the second time in less than twenty-four hours that I have been asked if I love Marco. “Absolutely? Can we ever be absolute about our feelings?” I say aware that I’m avoiding answering his question.
“Enough about your love life,” he says almost impatiently. “Tell me about your art project. How you combine it with fashion.”
As he sits beside me, I tell Eduardo about the project with Tina and show him pictures from my cell. “They’re painted graffiti jeans. It’s a lot of fun to do.”
“These are incredible,” he says. “Do they make these jeans in my size?”
Eduardo is a hefty man and I really can’t see him in a pair of these jeans, even though many of them are made wide and loose. Still, I say, “I’ll make sure to get you a pair. Which design do you prefer?”
He chooses a dark indigo jean with designs inspired by Miro on the legs and back pocket. I feel myself beaming. It’s wonderful getting recognized for my work.
I’d love to hear about where you get some of your ideas.